My alphabetical name is URO.IIIA. The anthroponym is the proper name referred to a person and with this term is defined a specific notation specific to a particular community or administrative body suitable for identify and distinguish a person.

In this case my name is Giuseppe Rellini.

Dare o darsi un antroponimo e’ un atto diretto legato ad una attivita’ volta a stabilire l’identita’ di una persona. Pertanto il nome e’ un termine che e’ me medesimo in un altro codice. L’Identificarsi e’ un processo in cui si e’ totalmente o parzialmente uguale ad un altro o all’altro, assumendo come identita’ propria quella dell’altrui.
Pertanto l’altro me che e’ il mio nome alfabetico e’ la collocazione e proiezione di una parte della mia identita’ nel codice della scrittura. L’arte di annettere a se’ e’ una pratica mnemonica molto antica che non e’ certamente relegata al solo codice alfabetico.
Vorrei sottolineare come la proiezione sia un meccanismo di comunicazione emotivo che opera con l’altro esterno a se’ ma uguale a se’. Questo e’ possibile solo attraverso l’empatia.

Here in brief a small clarification of my acronym

UR City Game Principle

URO      Bos taurus primigenius

III A
A        Astro-chelys radiata

A        Aquila Nipalensis

A        Atene Noctua

I would like to add that identifying oneself means carrying out a process of relation, interaction and modeling with something external to oneself whose identity is recognized. Hence projection is an act in which one introduces oneself into the other in order to relate oneself to the other self that dwells in that particular object.
In this way one can see oneself from the outside, but not as a reflected image, but as an act of destroying or curing oneself by improving or reducing to dust the object of the projection.
The alphabetical name is partially or totally attributable to this introjective and projective mechanics, whose function is to see oneself from the outside outside of one's own image, as the object becomes a relational self to which one can relate according to needs.

Unable to identify myself only by my alphabetical name and particularly sensitive to particular oscillations that I find in myself and in my surroundings, I also gave myself a Sound Identification Frequency (SIF). This operation, in addition to eluding the projection and introjection of oneself with respect to the other, has allowed me to tune my identity to what is outside of me trying to understand which and from which frequencies my identity is composed.
In this way, my SIF takes the place of a sound timbre, a calligraphic trace, an imprint that can be traced back only to that particular person.

Searching for the sound spectrum has allowed me to emerge from the background as a subject [in the sense of sub object, i.e. what is under the object] and in this case what is under the object is a set of frequencies with their relative harmonics capable of invading me and invading the surroundings, able to tune me or tune the objects to me outside of any projective speculation.

Perhaps through the SIF it is possible to maintain one's identity outside the temporal and spatial constraints and perhaps it is also possible to pass one's identification and identity to the unspecified Someone who lives in a distant temporal space, but this is another matter.

Soon I will dedicate a page dedicated to my sonorous name in which I will list my identification processes.